In this new poetic it is the Mona Lisa herself who plays the role of a messenger plaque whose becoming and whose omnipresent and all-encompassing universality can fly over the dimensions and create links between distant spaces and times, not calculable, and not known. The plaque visibly translates a “cybernetic” language that connects different worlds, in different spaces and at different times: the synthesis cancels distances and becomes the carrier of a vehicular message, in which it is possible to engrave, from time to time other messages and with the same procedure penetrate the future.

Born in 1955 in Empoli (Florence), Franco Fossi began as a young student at the State Institute of Art in Porta Romana in Florence to experiment with applications of graphic design as a construction method of composition. His research, continued after his artistic maturity and influenced by the studies of Industrial Design and his work experience as a graphic designer at the prestigious Leader agency, focused on Leonardo da Vinci's Mona Lisa as an icon of Art and brought him, in 1974, the first creation of the VISUAL DNA which represents the synthesis of an innovative investigation methodology of which he is the head.

From 1971 to today, the artist's fervent creativity has translated into a vast production of works divided into cycles corresponding to specific historical periods, following different influences received both from previous artistic cycles and from experiences of personal experience.

In fact, over the years, Fossi combines his artistic career with the varied professional experiences that range from graphic design to the television sector with national broadcasters, and which influence his methods and expressive tools. These are the years of the path called L'Origine beyond the visual, in particular with the Monnalisiano Celato and Visual DNA cycles in which the skillful mastery in mastering the artistic techniques with graphic applications shines through in every creation, giving his works a visual impact and a extremely singular expressive force.

In 1992, on the occasion of a collaboration with the art photographer Aurelio Amendola, he filmed Michelangelo's Medici Chapels in Florence and was inspired by the application of the VISUAL DNA research on Michelangelo's works such as David and Giuliano De Medici, obtaining confirmation the methodological intuition of research of the Code had during the continuous work in progress on the Mona Lisa.

The fervent artistic activity of Fossi knows new impulses also thanks to the meeting, in the early nineties, with two great artists of the caliber of Igor Mitoraj and Venturino Venturi who encourage him to continue expressing himself in sculpture, as well as in painting and application of mixed techniques. In fact, the peculiarity of Fossi is that he models, he does not sculpt, following his personal style of compositional combinations which is the hallmark of his artistic and working experience. And this is precisely the effect that arises from his Plastic Works conceived from 1993 to 2007 as well as all his creations born parallel and subsequently to the latter, affected by the influence of his working experience such as for example those of the cycles. Angelo, Multipli, The Monnalisian postcards / Strings -: typing test and The Uchu scores.

His works have become part of various qualified collections, from the Carlo Palli Archive in Prato to the Rossana Foundation and Carlo Pedretti (director of the Armand Hammer Center for Leonardo Studies of the University of California), to the Ideal Museum archive Leonardo da Vinci, to the Mirabili collection.

Rare his group shows and exhibitions, among which we mention: a group exhibition in 2004 at the Fornace Pasquinucci in Capraia Fiorentina with "The great masters of abstractionism" (sixth edition) in which he participates with a selection of works; to follow, the solo exhibition in 2006 entitled "Under the sign of the Mona Lisa" at the Ghelfi gallery in Piazza Erbe in Verona; the collective in 2008 on the occasion of the "Santa Giusta Art Week" in Castadas in Cagliari; subsequently, a solo exhibition within the "Jaconde. From Monna Lisa to Gioconda Nuda ”set up in 2009 at the Ideal Leonardo da Vinci Museum; in 2010 some of his works were exhibited at the SACI (Studio Art Center International) in Florence and, subsequently, the group exhibitions held on the occasion of exhibitions dedicated to Leonardo da Vinci at the Castle Museum and the city of Piombino, the Torrione-Museo in the city of Margherita di Savoia, the Granafei Nervegna Palace of Brindisi and the Aragonese Castle of Otranto, as well as abroad from Miami (USA) to Kahosiung and Taipei (Taiwan) and to Amboise (France).

General conditions of Sale

OBJECT OF THE CONTRACT
These general conditions relate to the purchase of products or services, carried out remotely via the telematic network, from www.mirabili.it with headquarters in Via Corticella 5/7/9, 51039, Quarrata (PT), Italy. Each purchase transaction will be governed by the provisions of Legislative Decree 206 of 6 September 2005 (Consumer Code) and, in particular, of those referred to in Section II, Part II, Title III (distance contracts ) as well as, as regards the protection of personal data, by the provisions of Legislative Decree 30 June 2003, n.196.
VAT and transport are not included in the price list.

PURCHASE ORDER AND PERFECTION OF THE CONTRACT
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PURCHASE METHOD
The purchase of products and services for sale on the www.mirabili.it site are made at the price indicated therein, to be confirmed at the time of order confirmation, in addition to the transport costs. Before confirming the purchase, the total cost of each selected product, the total cost and transport costs will still be summarized.

PRICES AND PAYMENT
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DELIVERY OF PRODUCTS AND SHIPPING COSTS
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PROCESSING TIMES OF AN ORDER
The working days indicated in the product data sheets are indicative, and in any case not considered mandatory. However, Mirabili will take care of fulfilling orders as soon as possible, compatibly with the production times of the products purchased. The Company will not be responsible for any delays by couriers, attributable to external causes or force majeure. In this regard, the Customer declares to have been informed that the timing for the fulfillment of an order varies according to the type of processing and the quantity requested.

OF THE RIGHT OF WITHDRAWAL
The Customer has the right to withdraw from the contract concluded with the Seller, without any penalty and without specifying the reason, within ten (10) working days, starting from the day of receipt of the products purchased on www.mirabili.it . To exercise the right of withdrawal, the customer must send an email to galleria@mirabili.it and wait for the return form which will be sent to the customer via email. Only when the customer has received the form, he can send the return. In no case will returns be accepted without the explicit request from the Customer and without the sending of the return form by the Company. The Customer assumes the costs and risks of returning the goods. Once the return has arrived at our warehouse, in via Corticella 5/7/9, 51039 Quarrata, Italy the Company will issue a refund within 10 working days

JURISDICTION
For all disputes concerning the interpretation or execution of the contract, the competent court will be the Court of Pistoia exclusively.