Staccioli allestisce nel suo studio di Scandicci, nei pressi di Firenze, un laboratorio dove continua autonomamente e quotidianamente a misurarsi con l’uso del fuoco e degli ossidi di rame, dando vita a una miriade di vasi che riveste con fantastici racconti pittorici, fissati definitivamente dalla smaltatura a lustro.‎ È con queste opere che ottiene i primi successi, facendosi notare in mostre personali e collettive, nonché in occasione di importanti manifestazioni culturali: le sue ceramiche, dal forte effetto metallizzato e dallo smalto scintillante si impongono presto, per eleganza e originalità, nel panorama artistico non più solamente fiorentino, ma nazionale.‎ I personaggi che in questa fase popolano la superficie delle sue ceramiche (giostre di cavalli giocattolo sospesi nell’aria e accompagnati da putti alati, suonatori di trombe, bambole e Pulcinella) presto si guadagnano la terza dimensione, divenendo sculture che tuttavia non perdono l’accento di accadimento fiabesco, estranee come sono ad ogni nozione di tempo e luogo: forme idealizzate memori della statuaria preromana, etrusca in particolare, sulle quali interviene la policromia della ceramica, a rendere un vigoroso effetto di masse in contrasto.‎ Guerrieri, viaggiatori, cardinali e cavalli si aggiungono ben presto alla folla già nutrita dei fantastici personaggi ed iniziano, dalla seconda metà degli anni Novanta, ad animare importanti collezioni pubbliche e private, italiane ed estere.‎

Born in Florence in 1943, Paolo Staccioli began his experience as an artist in the seventies, making his debut as a painter and soon making himself known locally. At the beginning of the nineties the need to experiment with new expressive languages ​​pushes him to Faenza, in the workshop of a local ceramist, Umberto Santandrea, where he learns the techniques of this art. It is here that Staccioli realizes his first vases, first with the glazed ceramic technique, then experimenting with "reduction" cooking, which allows him to obtain extraordinary effects of iridescence and shine.
Having obtained absolute mastery of the craft, Staccioli sets up a laboratory in his Scandicci studio, near Florence, where he continues to independently and daily measure himself against the use of fire and copper oxides, giving life to a myriad of vases that he covers with fantastic pictorial tales, definitively fixed by the glazing luster.
Among the most recent experiences are the participation in the exhibition Memories of the Ancient in the art of the twentieth century held in 2009 at the Museo degli Argenti in Palazzo Pitti in Florence and personal exhibitions in Washington at the Italian Embassy (April 2009), in Paris at the Selective Art Gallery (September 2009), in New York at the Spazio 522 and at the Kens' Art Gallery in Florence (both in the spring of 2010). In September 2010 one of his staff was held in Pomarance, where soon a bronze warrior will be placed in front of the town hall.

General conditions of Sale

OBJECT OF THE CONTRACT
These general conditions relate to the purchase of products or services, carried out remotely via the telematic network, from www.mirabili.it with headquarters in Via Corticella 5/7/9, 51039, Quarrata (PT), Italy. Each purchase transaction will be governed by the provisions of Legislative Decree 206 of 6 September 2005 (Consumer Code) and, in particular, of those referred to in Section II, Part II, Title III (distance contracts ) as well as, as regards the protection of personal data, by the provisions of Legislative Decree 30 June 2003, n.196.
VAT and transport are not included in the price list.

PURCHASE ORDER AND PERFECTION OF THE CONTRACT
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PURCHASE METHOD
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PRICES AND PAYMENT
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DELIVERY OF PRODUCTS AND SHIPPING COSTS
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PROCESSING TIMES OF AN ORDER
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OF THE RIGHT OF WITHDRAWAL
The Customer has the right to withdraw from the contract concluded with the Seller, without any penalty and without specifying the reason, within ten (10) working days, starting from the day of receipt of the products purchased on www.mirabili.it . To exercise the right of withdrawal, the customer must send an email to galleria@mirabili.it and wait for the return form which will be sent to the customer via email. Only when the customer has received the form, he can send the return. In no case will returns be accepted without the explicit request from the Customer and without the sending of the return form by the Company. The Customer assumes the costs and risks of returning the goods. Once the return has arrived at our warehouse, in via Corticella 5/7/9, 51039 Quarrata, Italy the Company will issue a refund within 10 working days

JURISDICTION
For all disputes concerning the interpretation or execution of the contract, the competent court will be the Court of Pistoia exclusively.